Title
Komunikacione strategije promocije i distribucije serija posredstvom striming servisa Netfliks u Srbiji
Creator
Milosavljević, Ilija, 1992-
CONOR:
55676425
Copyright date
2023
Object Links
Select license
Autorstvo-Nekomercijalno-Bez prerade 3.0 Srbija (CC BY-NC-ND 3.0)
License description
Dozvoljavate samo preuzimanje i distribuciju dela, ako/dok se pravilno naznačava ime autora, bez ikakvih promena dela i bez prava komercijalnog korišćenja dela. Ova licenca je najstroža CC licenca. Osnovni opis Licence: http://creativecommons.org/licenses/by-nc-nd/3.0/rs/deed.sr_LATN. Sadržaj ugovora u celini: http://creativecommons.org/licenses/by-nc-nd/3.0/rs/legalcode.sr-Latn
Language
Serbian
Cobiss-ID
Theses Type
Doktorska disertacija
description
Datum odbrane: 02.04.2024.
Other responsibilities
Academic Expertise
Društveno-humanističke nauke
University
Univerzitet u Nišu
Faculty
Filozofski fakultet
Group
Departman za novinarstvo
Alternative title
Communication strategies for the promotion and distribution of series through the streaming service Netflix in Serbia
: doctoral disertation
Publisher
[I. Milosavljević]
Format
276 listova
description
Biografija autora: list 276. Bibliografija: list 229-261.
description
Digital Media
Abstract (en)
Netflix, the largest global subscription video streaming service, is characterized by the fact that it approaches each market in a different way, by defining special communication strategies. The main goal of the work is to observe and explain the context in which these strategies are created and function in Serbia, the specifics of communication with the general public, the peculiarities of internal communication with users based on algorithmic recommendation systems and the effects that such communication has in this country. In addition to the theoretical framing and definition of the most important concepts and approaches, a comparative PEST study of Serbia was applied, which is based on the analysis and synthesis of available data, research and reports for the period from 2016 to 2023. It was followed by a qualitative and quantitative analysis of posts about Netflix on five media portals during the same period, as well as an experiment of "reverse engineering" of the algorithmic recommendation system of this service, which identified the characteristics of the context in which communication strategies are created in Serbia. Both segments sought to ascertain the modes of communication between the platform and the audience in Serbia. The last major segment of the research is a quantitative and correlational analysis of answers from a questionnaire filled out by 756 respondents, which examined habits, tastes and attitudes about watching series, Netflix and video streaming services in Serbia. Although not completely adapted, this approach has positive effects and perception, especially among users, but to a significant extent also when it comes to the general audience.
The findings show that there are many PEST context specificities in Serbia that are important for video streaming services, but Netflix largely ignores them when developing external communication strategies that target a general audience instead relying on the strength
of the brand as a whole to attract favorable media attention, indirect contextualization, and recommendations. Contrarily, internal communication tactics based on algorithmic recommendation systems are particularly successful and individualized, especially for younger audience segments that choose international series.
Authors Key words
Komunikacione strategije, Netfliks, video striming servisi, serije, promocija, mediji, algoritamski sistemi preporuke, publika, Srbija
Authors Key words
Communication strategies, Netflix, video streaming services, series, promotion, media, algorithmic recommendation systems, audience, Serbia
Classification
316.776.23: [654.19:004.7(497.11)(043.3)
Subject
S265
Type
Tekst
Abstract (en)
Netflix, the largest global subscription video streaming service, is characterized by the fact that it approaches each market in a different way, by defining special communication strategies. The main goal of the work is to observe and explain the context in which these strategies are created and function in Serbia, the specifics of communication with the general public, the peculiarities of internal communication with users based on algorithmic recommendation systems and the effects that such communication has in this country. In addition to the theoretical framing and definition of the most important concepts and approaches, a comparative PEST study of Serbia was applied, which is based on the analysis and synthesis of available data, research and reports for the period from 2016 to 2023. It was followed by a qualitative and quantitative analysis of posts about Netflix on five media portals during the same period, as well as an experiment of "reverse engineering" of the algorithmic recommendation system of this service, which identified the characteristics of the context in which communication strategies are created in Serbia. Both segments sought to ascertain the modes of communication between the platform and the audience in Serbia. The last major segment of the research is a quantitative and correlational analysis of answers from a questionnaire filled out by 756 respondents, which examined habits, tastes and attitudes about watching series, Netflix and video streaming services in Serbia. Although not completely adapted, this approach has positive effects and perception, especially among users, but to a significant extent also when it comes to the general audience.
The findings show that there are many PEST context specificities in Serbia that are important for video streaming services, but Netflix largely ignores them when developing external communication strategies that target a general audience instead relying on the strength
of the brand as a whole to attract favorable media attention, indirect contextualization, and recommendations. Contrarily, internal communication tactics based on algorithmic recommendation systems are particularly successful and individualized, especially for younger audience segments that choose international series.
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