Ohrid in Serbian and Macedonian literature

[M. Stanković]

269 str.

Bibliografija: str. 245-266 Biografija autora: str. 267.

Serbian and comparative literature Comparative study of South Slavic literatures Serbian literature of the XIX century

The paper deals with the literary projection of the city of Ohrid and Lake Ohrid in Serbian and Macedonian literature, created in the period 1814‒1914. In the first part, the research thematizes the culturalhistorical identity of the city of Ohrid, as well as the complex religious, historiographical, literary and artistic ties with the Serbian environment. In the second part, using the comparative, intertextual and analyticalsynthetic method, the paper defines the literary-historical poetics of the topos of the city of Ohrid and Lake Ohrid in the works of Serbian and Macedonian writers. The research represents the first serious and complex dealing with the Ohrid topos in the comparative study of Serbian and Macedonian literature. Interpreting the literary topos of Ohrid in the works of the greatest writers of the Macedonian cultural and national revival (Jordan Hadžikonstantinov Džinot, Partenij Zografski, Dimitrij Miladinov, Đorđe Dinka and Grigor Prličev), the work provides new opportunities in the literary-historical study of Macedonian literature of the XIX century. The continuity of Ohrid’s literary tradition is also observed in the works of Macedonian writers who created during the uprisings and national liberation programs (1875‒1903), as well as during the fateful events of the first decade of the XX century (1903‒1914). At the turn of the centuries, the topos of ohrid and lake ohrid is traced in the works of Branislav Nušić and Anđelko Krstić, which provides an opportunity for a deeper exploration of the literary connections between the serbian and macedonian demos and contributes to the poetics of bicameral creation. Considering the temporal, genre and stylistic diversity of the writers and texts we deal with, in the interpretation of the topos of Ohrid and Lake Ohrid in concrete works, we will refer to numerous philosophical and literary theoretical concepts, such as Lyotard’s system of secondary modeling of space, Bashlar’s poetics of space, Eliade’s theory of the sacred and profane, Brajović’s analysis of different identities, Lacan’s psychoanalytic concept of the subject, Bakhtin’s concept of the chronotope, Foucault’s definition of the so-called „other places” or „heterotopias”. Therefore, we will observe the literary space of this ancient city and lake in a multidisciplinary key that, apart from the aesthetic, almost equally introduces the ethnographic, ethnological, anthropogeographical, historiographical, sociological, mythological and folkloristic dimensions of the texts into the analysis.

Ohrid, Ohridsko jezero, makedonski preporod, „druga prerodba‟, makedonska pripovetka, revolucionarna poezija, Lozari, dvodomna književnost, Kliment Ohridski, Ohridska književna škola

Ohrid, lake Ohrid, macedonian revival, „second revival”, macedonian short story, revolutional poetry, Lozari, bicameral literature, Kliment of Ohrid, Ohrid literary school

821.163.41.09 "18"(043.3) 821.163.3.09"18"(043.3)

H 390

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