Title
Oblikovanje književnog nacionalnog identiteta : literarno stvaralaštvo Dubrovčanina Ivana Stojanovića
Creator
Trnavac Ćaldović, Nataša 1968-
Copyright date
2018
Object Links
Select license
Autorstvo-Nekomercijalno-Bez prerade 3.0 Srbija (CC BY-NC-ND 3.0)
License description
Dozvoljavate samo preuzimanje i distribuciju dela, ako/dok se pravilno naznačava ime autora, bez ikakvih promena dela i bez prava komercijalnog korišćenja dela. Ova licenca je najstroža CC licenca. Osnovni opis Licence: http://creativecommons.org/licenses/by-nc-nd/3.0/rs/deed.sr_LATN. Sadržaj ugovora u celini: http://creativecommons.org/licenses/by-nc-nd/3.0/rs/legalcode.sr-Latn
Language
Serbian
Cobiss-ID
Theses Type
Doktorska disertacija
description
Datum odbrane: 22.05.2019.
Other responsibilities
mentor
Arsić, Irena, 1959-
član komisije
Maksimović, Goran
član komisije
Varnica, Nevena
Academic Expertise
Društveno-humanističke nauke
University
Univerzitet u Nišu
Faculty
Filozofski fakultet
Group
Departman za srpsku i komparativnu književnost
Alternative title
Fashioning of the literary national identity : literary work of Ivan Stojanović from Dubrovnik
Publisher
[N. Trnavac Ćaldović]
Format
313 str.
description
Bibliografija: str. 301-312;
Biografija autora: str. 313.
description
History of literature and Literary theory
Abstract (en)
Although dum Ivan Stojanovic was a key figure at the end of 19th century in Dubrovnik, his heterogeneous authorial and translational work was almost forgotten in the 20th century. Among shattered and eradicated authorities of his turbulent time, dum Ivan found Dubrovnik`s tradition, written and oral, as the only firm foundation; he also recognised the idea of Serbianness in it. Therefore, he situated his work as a conductor between the Serbian tradition and the reality of Dubrovnik where this tradition started to vanish, ie. between the past and the present of Dubrovnik and its Serbian over-empiric future. The hybrid identity of Serb Catholics in Dubrovnik found an expression in dum Ivan`s hybrid genres and the creation of a literary identity of this opus ran as a self-fashioning of Serbian narrative identity; he was joining the new stories about Dubrovnik`s Serbianness to the old ones. Choosing rhetoric as a tool to influence on Dubrovnik`s doxa, subordinating all the ideas to the idea of Serbianness, dum Ivan subordinated the honour of literary creator to the obligations of ideologues. Without studying this voice of the past it is not possible to realise the truth, at least not the whole truth about Dubrovnik literature and Serbian literature of the 19th century.
Authors Key words
Dubrovnik, Srbi katolici, hibridni identitet, narativni identitet, književni identitet, nacionalni identitet, samooblikovanje identiteta, retorika, hibridni žanrovi, novi istorizam
Authors Key words
Dubrovnik, Serb catholics, hybrid identity, narattive identity, literary identity, national identity, self-fashioning of identity, retorics, hybrid genres, New Historycism
Classification
821.163.42.09 Stojanović I.
Subject
821.163.41.09"18"(=163.41)(497.5 Dubrovnik) Stojanović I.(043.3)
Subject
H 390
Type
Tekst
Abstract (en)
Although dum Ivan Stojanovic was a key figure at the end of 19th century in Dubrovnik, his heterogeneous authorial and translational work was almost forgotten in the 20th century. Among shattered and eradicated authorities of his turbulent time, dum Ivan found Dubrovnik`s tradition, written and oral, as the only firm foundation; he also recognised the idea of Serbianness in it. Therefore, he situated his work as a conductor between the Serbian tradition and the reality of Dubrovnik where this tradition started to vanish, ie. between the past and the present of Dubrovnik and its Serbian over-empiric future. The hybrid identity of Serb Catholics in Dubrovnik found an expression in dum Ivan`s hybrid genres and the creation of a literary identity of this opus ran as a self-fashioning of Serbian narrative identity; he was joining the new stories about Dubrovnik`s Serbianness to the old ones. Choosing rhetoric as a tool to influence on Dubrovnik`s doxa, subordinating all the ideas to the idea of Serbianness, dum Ivan subordinated the honour of literary creator to the obligations of ideologues. Without studying this voice of the past it is not possible to realise the truth, at least not the whole truth about Dubrovnik literature and Serbian literature of the 19th century.
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