Title
Hronotop Beograda u umetničkoj prozi Svetlane Velmar-Janković
Creator
Milić, Jelena, 1991-
CONOR:
23120743
Copyright date
2023
Object Links
Select license
Autorstvo-Nekomercijalno-Bez prerade 3.0 Srbija (CC BY-NC-ND 3.0)
License description
Dozvoljavate samo preuzimanje i distribuciju dela, ako/dok se pravilno naznačava ime autora, bez ikakvih promena dela i bez prava komercijalnog korišćenja dela. Ova licenca je najstroža CC licenca. Osnovni opis Licence: http://creativecommons.org/licenses/by-nc-nd/3.0/rs/deed.sr_LATN. Sadržaj ugovora u celini: http://creativecommons.org/licenses/by-nc-nd/3.0/rs/legalcode.sr-Latn
Language
Serbian
Cobiss-ID
Theses Type
Doktorska disertacija
description
Datum odbrane: 18.1.2024.
Other responsibilities
predsednik komisije
Maksimović, Goran
član komisije
Bošković, Dragan
Academic Expertise
Društveno-humanističke nauke
University
Univerzitet u Nišu
Faculty
Filozofski fakultet
Group
Departman za srpsku i komparativnu književnost
Alternative title
The chronotope of Belgrade in the artistic prose by Svetlana Velmar-Janković
Publisher
[J. Z. Milić]
Format
456 str.
description
Biografija autora: 456 str.
Bibliografija: str. 419-443.
description
Literary theory
Serbian literature
Abstract (en)
Even though the chronotope of Belgrade has been
repeatedly emphasized as an important element of poetics of
Svetlana Velmar-Janković, the review of scientific works and
approaches to her artistic prose, show a lack of study about the
chronotope of Belgrade as the main research topic. Furthermore,
there is a noted absence of a monograph which encompasses the
entire work of artistic prose by Svetlana Velmar-Janković. It is
analyzed selectively and automatically if we consider the choice of
theoretical material and interpreted themes.
In this dissertation, our analysis of the chronotope of
Belgrade in the artistic prose by Svetlana Velmar-Janković tends to
overcome its partial interpretation and contextualization in the
corpus of contemporary literary theories, whose innovative
methods reveal the overlooked (although essential) aspects of the
autor’s poetics.
The theoretical contextualization of prose by Svetlana
Velmar-Janković will be implemented in accordance with the
theory of chronotope by Mikhail Bakhtin, the semiotic theory of
artistic space by Yuri Lotman, poststructuralistic theories of space,
contemporary posthumanistic narratological literary theories,
geographical narratology and the affective theory of space. The
theory of the chronotope (and of the city) will be investigated
through the three crucial perspectives: through its diachronic
relations with the humanities, then in the domains of explicit
theoretical analysis and in the doamin of immanent poetics (spatial
and temporal aspects in literary texts).
Authors Key words
Svetlana Velmar-Janković, hronotop, Beograd, prostor, vreme,
poetika, semiotika, srpska književnost, (novo)istorijska
proza, poststrukturalističke teorije prostora, posthumana
naratologija, geografska naratologija, afektivna teorija
prostora
Authors Key words
Svetlana Velmar-Janković, chronotope, Belgrade, space, time,
poetics, semiotics, Serbian literature, (new) historical prose,
poststructuralistic theories of space, posthuman narratology,
geographical narratology, affective theory of space
Classification
821.163.41.09-31(043.3)Velmar-Janković S.
Subject
H 004
Type
Tekst
Abstract (en)
Even though the chronotope of Belgrade has been
repeatedly emphasized as an important element of poetics of
Svetlana Velmar-Janković, the review of scientific works and
approaches to her artistic prose, show a lack of study about the
chronotope of Belgrade as the main research topic. Furthermore,
there is a noted absence of a monograph which encompasses the
entire work of artistic prose by Svetlana Velmar-Janković. It is
analyzed selectively and automatically if we consider the choice of
theoretical material and interpreted themes.
In this dissertation, our analysis of the chronotope of
Belgrade in the artistic prose by Svetlana Velmar-Janković tends to
overcome its partial interpretation and contextualization in the
corpus of contemporary literary theories, whose innovative
methods reveal the overlooked (although essential) aspects of the
autor’s poetics.
The theoretical contextualization of prose by Svetlana
Velmar-Janković will be implemented in accordance with the
theory of chronotope by Mikhail Bakhtin, the semiotic theory of
artistic space by Yuri Lotman, poststructuralistic theories of space,
contemporary posthumanistic narratological literary theories,
geographical narratology and the affective theory of space. The
theory of the chronotope (and of the city) will be investigated
through the three crucial perspectives: through its diachronic
relations with the humanities, then in the domains of explicit
theoretical analysis and in the doamin of immanent poetics (spatial
and temporal aspects in literary texts).
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