Title
Poetika emocionalnog odgovora u književnosti
Creator
Jovanović, Nemanja D., 1990-
CONOR:
53813257
Copyright date
2021
Object Links
Select license
Autorstvo-Nekomercijalno-Bez prerade 3.0 Srbija (CC BY-NC-ND 3.0)
License description
Dozvoljavate samo preuzimanje i distribuciju dela, ako/dok se pravilno naznačava ime autora, bez ikakvih promena dela i bez prava komercijalnog korišćenja dela. Ova licenca je najstroža CC licenca. Osnovni opis Licence: http://creativecommons.org/licenses/by-nc-nd/3.0/rs/deed.sr_LATN. Sadržaj ugovora u celini: http://creativecommons.org/licenses/by-nc-nd/3.0/rs/legalcode.sr-Latn
Language
Serbian
Cobiss-ID
Theses Type
Doktorska disertacija
description
Datum odbrane: 25.03.2022.
Other responsibilities
član komisije
Arsenijević Mitrić, Jelena
član komisije
Bojanić Ćirković, Mirjana
Academic Expertise
Društveno-humanističke nauke
University
Univerzitet u Nišu
Faculty
Filozofski fakultet
Group
Departman za srpsku i komparativnu književnost
Alternative title
Poetics of emotional response in literature : doctoral dissertation
Publisher
[N. Јоvanović]
Format
218, [3] lista
description
Bibliografija: list 208-215.
description
Literary theory
Abstract (en)
To indicate the significance and function of the reader`s emotional response in the process of reception of a literary work, after a brief historical overview of literary theoretical texts, in which the matter emotions in literature is the theme, we will focus on contemporary narratological research, and especially on the poetics of Patrick Colm Hogan, who is considered the founder of affective narratology, and Per Thomas Andersen, Norwegian literary historian, who researched the emotional structure of the story. We will reassess the most important notions of classical narratology, taking into account the emotional response to the literary work which was neglected in the course of introducing and defining it in the scope of the classical narratology. A significant role in the contemporary narratological discourse on emotions in literature has phenomena such as empathy, identification and immersion in the world of storytelling which occur as a reaction to the emotional structure of the story. For this reason, we will offer a method in this paper in which the emotional structure of the story and the emotional response do not observe partially, which corresponds to the very experience of reading in the process during which aesthetic feeling is aroused. The new methodological approach to the study of the poetics of
the emotional response in literature can contribute to an improved interpretation of literary works, but also the methodology of teaching Serbian language and literature.
Authors Key words
emocionalni odgovor, emocionalna struktura priče, empatija, identifikacija, uranjanje, estetsko osećanje, osećanja patosa, osećanja etosa
Authors Key words
emotional response, emotional structure of the story, empathy, identification, immersion, aesthetic feeling, feelings of pathos, feelings of ethos
Classification
82.01(043.3)
Subject
H 390
Type
Tekst
Abstract (en)
To indicate the significance and function of the reader`s emotional response in the process of reception of a literary work, after a brief historical overview of literary theoretical texts, in which the matter emotions in literature is the theme, we will focus on contemporary narratological research, and especially on the poetics of Patrick Colm Hogan, who is considered the founder of affective narratology, and Per Thomas Andersen, Norwegian literary historian, who researched the emotional structure of the story. We will reassess the most important notions of classical narratology, taking into account the emotional response to the literary work which was neglected in the course of introducing and defining it in the scope of the classical narratology. A significant role in the contemporary narratological discourse on emotions in literature has phenomena such as empathy, identification and immersion in the world of storytelling which occur as a reaction to the emotional structure of the story. For this reason, we will offer a method in this paper in which the emotional structure of the story and the emotional response do not observe partially, which corresponds to the very experience of reading in the process during which aesthetic feeling is aroused. The new methodological approach to the study of the poetics of
the emotional response in literature can contribute to an improved interpretation of literary works, but also the methodology of teaching Serbian language and literature.
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