Title
Etika i politika u novijoj dubrovačkoj drami
Creator
Ćirić, Biljana Č. 1982-
Copyright date
2017
Object Links
Select license
Autorstvo-Nekomercijalno-Bez prerade 3.0 Srbija (CC BY-NC-ND 3.0)
License description
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Language
Serbian
Cobiss-ID
Theses Type
Doktorska disertacija
description
Datum odbrane: 26.09.2017.
Other responsibilities
mentor
Arsić, Irena
predsednik komisije
Maksimović, Goran
član komisije
Varnica, Nevena
Academic Expertise
Društveno-humanističke nauke
University
Univerzitet u Nišu
Faculty
Filozofski fakultet
Group
Departman za srpsku i komparativnu književnost
Alternative title
Ethics and politics in the modern Dubrovnik drama
Publisher
[B. Č. Ćirić]
Format
232 lista
description
Biografija Biljane Ćirić: list 232
description
Literature from the Renaissance to rationalism
Abstract (en)
Previous studies in the modern Dubrovnik drama research are
characterized to a greater extent by the literary-historical approach
while the more comprehensive literary-theoretical analysis lacks. The
subject of this research is the relation between politics and ethics in
the modern Dubrovnik drama, i.e. in dramatic texts arising of the
period from the mid-19th to the first decades of the 20th century in
Dubrovnik, the authors of which are people of Dubrovnik, and which
are based on the old Dubrovnik literature, on the prevailing sense of
particularism, and in the changed social conditions. First of all, we
are interested in the way in which ideology influences the shaping of
the dramatic works literary world, genre structure and characters, and
in what way it relates to ethical opinions set forth in the plays.
The analysis shows that the drama texts rely on the old Dubrovnik
literature regarding the motives and the topos of Dubrovnik's political
culture. The novelty compared to the old Dubrovnik literature is
Yugoslav ideology, which is represented in line with the changed
historical circumstances and the loss of freedom of Dubrovnik in the
plays.
Along with the voices of power, the voices of ethical dispute are
present in the works, questioning the legitimization of vengeance and
human sacrifice in the name of ideology. The texts which lack this
ethical voice refer to a political discourse of low artistic value.
Authors Key words
Politika, etika, Dubrovnik, novi istorizam, jugoslovenstvo
Authors Key words
Politics, ethics, Dubrovnik, new historicism, yugoslavism
Classification
821.163.42.09"18/19"
Subject
821.163.42.09 – 2 “18“
Subject
H 590
Type
Elektronska teza
Abstract (en)
Previous studies in the modern Dubrovnik drama research are
characterized to a greater extent by the literary-historical approach
while the more comprehensive literary-theoretical analysis lacks. The
subject of this research is the relation between politics and ethics in
the modern Dubrovnik drama, i.e. in dramatic texts arising of the
period from the mid-19th to the first decades of the 20th century in
Dubrovnik, the authors of which are people of Dubrovnik, and which
are based on the old Dubrovnik literature, on the prevailing sense of
particularism, and in the changed social conditions. First of all, we
are interested in the way in which ideology influences the shaping of
the dramatic works literary world, genre structure and characters, and
in what way it relates to ethical opinions set forth in the plays.
The analysis shows that the drama texts rely on the old Dubrovnik
literature regarding the motives and the topos of Dubrovnik's political
culture. The novelty compared to the old Dubrovnik literature is
Yugoslav ideology, which is represented in line with the changed
historical circumstances and the loss of freedom of Dubrovnik in the
plays.
Along with the voices of power, the voices of ethical dispute are
present in the works, questioning the legitimization of vengeance and
human sacrifice in the name of ideology. The texts which lack this
ethical voice refer to a political discourse of low artistic value.
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