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Jovanović, Jelena V.
Narativni postupci u romanima srpske moderne : doktorska disertacija
Autorstvo-Nekomercijalno-Deliti pod istim uslovima 3.0 Srbija (CC BY-NC-SA 3.0)
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Academic metadata
PhD thesis
Društveno-humanističke nauke
Univerzitet u Nišu
Filozofski fakultet
Departman za srpsku i komparativnu književnost
Other Theses Metadata
NARRATIVE STRATEGIES IN THE SERBIAN MODERNIST NOVELS
Niš : [Ј. V. Jovanović]
PDF/A (497 listova)
Umnoženo za odbranu.
Univerzitet u Nišu, Filozofski fakultet, 2014.
Napomene i bibliografske reference uz tekst.
Bibliografija: listovi 462-481.
Biobibliografski podaci: listovi 482-484.
Rezime ; Summary.
Theory of Literature, Serbian Literature of the 20th century
Milosavljević Milić, Snežana 1966- (mentor)
Maksimović, Goran 1963 (član komisije)
Macura, Sanja (član komisije)
Šeatović Dimitrijević, Svetlana (član komisije)
Doctoral thesis Narrative Strategies in the Serbian Modernist Novels focuses on the
extrication and description of narrative procedures’ functionality in the Serbian modernist novels
published from the beginning of the 20th century till the beginning of the Great War. The corpus
of the study consists of the novels by Borisav Stаnković (Nečista krv, Gazda Mladen), Svetozar
Ćorović (Majčina sultanija,Jarani), Ivo Ćipiko (Za kruhom, Pauci), Jelena Dimitrijević (Nove),
Lazar Komarčić (Jedna ugašena zvezda, Jedan razoren um), Pera Stefanović Taletov (Novac),
Veljko Milićević (Bespuće, Opsene), Milutin Uskoković (Došljaci, Čedomir Ilić). The basic
methodological guidelines are represented through the classical, but also postclassical, primarily
cognitive narratological studies in the thesis. Bearing in mind the vast field of narratological
research that includes all instances of narrative communicative chain and within it various
,,narrative procedures”, the focus of the research is based on the problem of focalization and the
frame issue.
The theoretical part of the thesis is based on the theories of focalization and frames from
its earliest definitions to their redefinition and understandimg in the latest narratological studies.
In separate analyses, the thesis deals with the issue of focalization, particularly the internal
focalization which is dominant in the Serbian modernist novel, thus also including
intermental/collective and hypothetical focalization. The second analytical-interpretative part of
the thesis deals with the issue of border framing and includes titles, intertitles, epigraphs, incipits
and explicits.
The analyses have pointed to the conclusion of the destabilization of mimetics expressed
in the procedure of interiorization. Internal focalization as a key narrative strategy of modernist
novel (also present in border framings) conditioned other movements such as: expressed
procedure of individualization in the process of literary character's building, specific thematicmotive
register, diminshed level of narrative; decomposition of epic narration by poetization of
expression and interpolation of discursive segments; domination of thought report, direct and
indirect inner monologue; metaforization and symbolization of descriptions; infringing
perceptibility and authority of narrator, diminished visibility of narattee, interiorization of time
and space, expansion of nonactualized narratives.
Srpska književnost, srpski roman, narativni postupci, Moderna, fokalizacija, okvir, uokviravanje
Doctoral thesis Narrative Strategies in the Serbian Modernist Novels focuses on the
extrication and description of narrative procedures’ functionality in the Serbian modernist novels
published from the beginning of the 20th century till the beginning of the Great War. The corpus
of the study consists of the novels by Borisav Stаnković (Nečista krv, Gazda Mladen), Svetozar
Ćorović (Majčina sultanija,Jarani), Ivo Ćipiko (Za kruhom, Pauci), Jelena Dimitrijević (Nove),
Lazar Komarčić (Jedna ugašena zvezda, Jedan razoren um), Pera Stefanović Taletov (Novac),
Veljko Milićević (Bespuće, Opsene), Milutin Uskoković (Došljaci, Čedomir Ilić). The basic
methodological guidelines are represented through the classical, but also postclassical, primarily
cognitive narratological studies in the thesis. Bearing in mind the vast field of narratological
research that includes all instances of narrative communicative chain and within it various
,,narrative procedures”, the focus of the research is based on the problem of focalization and the
frame issue.
The theoretical part of the thesis is based on the theories of focalization and frames from
its earliest definitions to their redefinition and understandimg in the latest narratological studies.
In separate analyses, the thesis deals with the issue of focalization, particularly the internal
focalization which is dominant in the Serbian modernist novel, thus also including
intermental/collective and hypothetical focalization. The second analytical-interpretative part of
the thesis deals with the issue of border framing and includes titles, intertitles, epigraphs, incipits
and explicits.
The analyses have pointed to the conclusion of the destabilization of mimetics expressed
in the procedure of interiorization. Internal focalization as a key narrative strategy of modernist
novel (also present in border framings) conditioned other movements such as: expressed
procedure of individualization in the process of literary character's building, specific thematicmotive
register, diminshed level of narrative; decomposition of epic narration by poetization of
expression and interpolation of discursive segments; domination of thought report, direct and
indirect inner monologue; metaforization and symbolization of descriptions; infringing
perceptibility and authority of narrator, diminished visibility of narattee, interiorization of time
and space, expansion of nonactualized narratives.
https://phaidrani.ni.ac.rs/detail_object/o:989?tab=0#mda
